Tuesday, October 23, 2012

Dr. John and Blind Boys of Alabama Play for a Die-hard Crowd



It was a night full of beautiful music, mixed emotions, and a surprise around every corner.  When we arrived at the Bourbon, we found out that Dr. John was in the hospital, wouldn’t be performing, and the venue was offering a full to partial refund for the event.  Now, I have to admit, my first thought was, “Well, that would be our luck…” and had a Dr. John moment of my own (“I was in the right place, but it must’ve been the wrong time…”)  Of course, my next thought went immediately to the man, in hopes that he was alright.  And while I never expected him to show, I am not surprised that the good Dr. didn’t want to let his fans down. 

I heard several folks indicate they would be getting a refund, most were jazzed to see The Blind Boys of Alabama anyway, and a few even shared our sentiment – we’ve already got a sitter, so…
We reflected that the Blind Boys should feel good – that everyone who had come in was there to see just them.  And they didn’t disappoint.  The slow spirituals had us swaying, and when they kicked it up-tempo, the tunes ranged from gospel to New Orleans funk.  The already appreciative crowd stepped up the volume when 87-year-old founding member Jerry Carter shook the microphone at us, and kudos to those charismatic guys for still bringin’ the music. 

Eventually, a buzz broke through the crowd and sure enough, Dr. John came slowly across the stage and sat at the baby grand.  He played and sang with as much ferocity as we’ve come to  expect (in spite of seeming – with good reason – rather “out of it”), and even though it was only twenty minutes or so, our souls felt filled and we got what we came for.  I have to say, the collaboration between Dr. John and his band and The Blind Boys of Alabama was a rare musical treat that we in Lincoln were blessed to have been offered.  


But those who went over to the Zoo Bar later felt like they were in the right place at the right time as the music didn’t stop at the Bourbon!  The encore performance was organized by local musician Josh Hoyer (at the keys) and featured Sarah Morrow (trombone player for Dr. John) and Joey Williams (lead guitar, vocals for Blind Boys).  Two of the Blind Boys actually sat and listened to their colleagues play a couple tunes before being guided up to the stage to sing themselves.  The magnitude of the impromptu performance was evidenced by the size of the smile on Hoyer’s face as all four guests jammed on the home stage.  It was definitely a special moment.  We truly are lucky to live in a place that values and maintains a home for live music like that. 

Friday, September 14, 2012

Still Smokin'



Growing up, I was a fan of Smokin’ Joe and Bnois King, but Close to the Bone is a departure from what even I know.  That said, it may be just what fans of this full-throttle duo have been waiting for.  While the band is known for its high-energy performances and “Smokin’” guitar solos, the acoustic version lacks none of the energy and spectacular musicianship that the group is known for.   

Kubek and King wrote or arranged all but one song on Close to the Bone, making this highly-original set of songs stand out among other blues albums.  I particularly enjoyed the soulful sway of “Drowning in Red Ink,” and the foot-stompin’ “Jump the Moon,” but then, I’ve always been a sucker for a Dobro solo.  And with so many great tracks, who says you need to have a wailin’ guitar solo to have a good time?

                                                               smokinjoekubek.com
                                    Close to the Bone will be released September 18th.  

Wednesday, June 27, 2012

REVIEW: Anders Osborne’s Black Eye Galaxy

In case you haven’t heard, Anders Osborne’s latest release, Black Eye Galaxy, hit the shelves in May, but Osborne has never stopped touring.  I was fortunate to see his hour-long set at Mt. Jam in New York this year.  I would expect any artist playing for 15,000 music lovers to bring their A game, and Osborne did not disappoint.  In a word, it rocked.  Hard.  But as is often the case, the live performance brought a level of energy and excitement that is difficult for a studio album to convey. 

Black Eye Galaxy starts out strong with “Send Me a Friend,” heavy on the guitar and full of distortion.  (It seems like we’ve all been listening to a lot of Black Keys lately…)  In that vein, most tracks on the first half of the album bring edgy lyrics, muddy vocals, and dirty guitar riffs.  It’s straight-up rock-n-roll.



Osborne has countered these tracks with an almost Neil Young feel to the rest of the album.  “Louisiana Gold” and “Tracking My Roots” add a folksy element to the collection that is an interesting contrast to the edgy guitar and rough vocals that grace the first half of the album.  

The highlight of the album is the title track which features a nice, long, spacey jam.  I forgot where I was for a minute… but I was eased back into it with the perfect mellow guitar solo. 

In the end, I thoroughly enjoyed this album in chunks. I'm not sure I'd listen straight through again, but I will definitely listen to individual tracks. Over and over... 

Track 7, Man in Motion


“This is sleepy music, mama…” I hear from my four-year-old in the back seat.

“You’re right, baby.  I’m too tired to listen to this right now…” 

As I reach for my purse, a swell of strings delicately flows from the speakers of the family van.  The van that would soon be carrying us eastward toward The Mountain.  As this thought crosses my mind, I am overcome with excitement.  My favorite band, my favorite place… in eager anticipation I find the new disc – the download because my husband and I could not wait for our pre-ordered CD to come in the mail… I pull out the plain silver disc, donned only by my own handwriting and shove it in the slot on my dash.  My hands carry my finger to the advance button; I push the tracks forward to number seven….

Immediately, my son says, “Ok.  This is rock-n-roll, mama.  This is a rock-n-roll song.”  Ten seconds later, “Is this Warren Haynes?” 

Yeah, that’s my boy. 

Thursday, April 19, 2012

A Bittersweet Day

I want to take a moment to reflect on the passing of Levon Helm.  I remembered him in my post yesterday, but it bears mentioning that he has moved on.  It was actually quite a powerful moment... my husband simply sent a text saying, "RIP Levon Helm" and I felt a chill rush through my body the moment I read it; as if a thousand other people just found out the same thing, at the same time, and we were all connected by one shared, sad moment.

Am I over-estimating people's awareness of a drummer in some band from the 60's?  Maybe.  But there are a lot of baby boomers out there.  And believe it or not, there are people like me who grew up with the stuff because it was our parents' music.  (And we just like good music.)  So I remembered him on my show today.  I even got a few calls from people who just wanted to find out if they heard me correctly.  I felt like today was a touching one with the listeners all the way around.

Track
Artist
Album


Ybor City
JJ Grey
Orange Blossoms


Wrong I Do
Moreland & Arbuckle
1861


Up On Cripple Creek
The Band
The Band: Greatest Hits


The Night They Drove Old Dixie Down
The Allman Brothers Band
Endless Highway: The music of The Band


Proving You Wrong
Keb' Mo'
Keep It Simple


Busted Bicycle
Leo Kottke
Best Of Leo Kottke


Hey Joe
Jimi Hendrix
Jimi Hendrix Smash Hits


Black Cat Bone
Johnny Winter
Progressive Blues Experiment


Love Insurance
Candye Kane
Sister Vagabond


Forty-Four Blues: How Many More Years
Little Feat
Little Feat


Angel of Darkness
Hot Tuna
Steady As She Goes


I Won't Cry
Janiva Magness
Stronger For It


Can't Stand the Rain
Humble Pie
Thunderbox


32/20 Blues
Gov't Mule
The Deepest End (2)


Pistol, Knife & Razor Too!
Sweet Miss Coffy
Mississippi Burnin' Blues


Bright Lights
Gary Clark Jr.
The Bright Lights EP


Hattiesburg Hustle
Warren Haynes
Man in Motion


The Sweet Sound Of Rhythm & Blues
Big Twist & The Mellow Fellows
Big Twist & The Mellow Fellows


You're So Fine
John Hammond
The Best of Mountain Stage - Vol. 4


Something's Got A Hold On Me
Etta James
The Best Of Etta James


Stormy Blues
Billie Holiday
Blues Masters Sampler


I'm Tellin You
Lauren Jordan
Dreams


Smokin Train
Lauren Jordan
Dreams


She Didn't Cut Me Loose
Curtis Salgado
Soul Shot


Perpetual Blues Machine
Keb' Mo'
Just Like You


Devil's Trail
Little Sammy Davis
This Is The Blues Harmonica Vol. 2


You Can't Hurt Me Anymore
Candye Kane
Sister Vagabond


Biloxi
Blue Mother Tupelo
Heaven And Earth


Spillway
Derek Trucks Band
Out Of The Madness


Chi Sau
Anni Piper
Chasin' Tail


Hampmotized
Susan Tedeschi
Wait For Me


Okie Dokie Stomp
Various Artists
Blues Masters Vol. 3: Texas Blues