Tinsley Ellis is one of the greatest blues rockers of all time. The man
has a catalogue that would make most musicians’ heads spin. With sixteen albums
released over thirty years, he shows no sign of stopping. How many songs live
inside Tinsley Ellis? The world may never know. However, it will enjoy another
great collection in 2018, released on Alligator Records. Winning Hand is classic Tinsley without sounding tired or worn out –
which is incredible given the depth of work we’ve already seen from him.
The album opens with a rocker, immediately showing off Ellis’s skill at
songwriting: interesting guitar licks, clever lyrics, and engaging solos. While
the album holds together with a classic Tinsley sound, it’s also graced with instruments
not heard live. Kevin McKindree on piano and organ adds a richness and depth to
each song that rounds the edges of Ellis’s powerful sound. “Don’t Turn Off the
Light” is a beautiful mid-tempo ballad that employs strings to give the song an
obvious B.B. King feel. As one of Ellis’s heroes, it’s not surprising to hear
King’s influence on Winning Hand.
Ellis gave another King a nod with his Freddie-inspired take on Leon Russell’s “Dixie
Lullaby,” the only cover on the album.
Ellis also uses his fiery guitar on a couple gut-wrenching ballads. “Gamblin’
Man” is a super soulful slow burner with a passionate guitar solo and organ
perfection. This will be the one to see live; Tinsley will no-doubt tear your
face off with his skill and butter-like tone. Ellis actually closes the album
with a delightfully distorted slow burner, the guitar reminiscent of Trower’s “Bridge
of Sighs.” If “Gamblin’ Man” doesn’t move you, “Saving Grace” will. That’s why
we keep coming back.
It’s all about the guitar. Open the liner notes, and it’s not just a
picture of the five beautiful guitars used on this album, but the track listing
inside includes the guitar used, as though they’re a member of the band. And in
a way, they are. Part of what makes Winning
Hand so musically interesting is Tinsley’s choice of guitar and the tone he
pulls from his instrument like a fine-spun thread of the softest cotton. The
rest is a diverse collection of styles, tempos, and lyrical themes that prove
Mr. Ellis is indeed holding a winning hand.
Images from tinsleyellis.com
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